Disclosure: We may receive commissions when you click our links and make purchases. Read our full affiliate disclosure here.
Craving a loud amp sound but don’t want noise complaints?
With so many amp-in-a-box pedals around, we are spoiled for choice
Find out which ones truly shine and stand out from the crowd
You can probably remember a moment in your life where you heard a guitar tone and suddenly everything in the world just made sense. A tone that moved you, one you dissected and obsessed over.
But then you discover it’s only made possible by cranking an amplifier to full volume, rendering it impossible for you to replicate it at home.
Then pedal manufacturers had an idea…
Empathasing with the guitar community, manufacturers started producing pedals that replicated the tones of real amps. And as of late, they’ve gotten dangerously close to being able to mimic these sounds (with impressive detail and accuracy).
A byproduct of these pedals is it now meant that our favorite loud guitar tones could now be realized without having to crank the volume.
From playing on Dutch national television, to gigging all around the Netherlands, I’ve been lucky enough to have tried a wealth of these stack in a box pedals. In this post, I’d like to share my findings of the very best of the bunch.
Rounding Up The 10 Best Amp-In-A-Box Pedals
The best all-round amp in a box pedal has to go to the JHS Angry Charlie, perfect for those chasing Marshall JCM800 tones. For the budget-conscious, the Fulltone OCD V2 is a fantastic option for a super musical overdrive. If price isn’t an issue, the Wampler Pinnacle Deluxe V2 is nothing short of pure tone.
Here are the 10 best stack in a box pedals I’ll be reviewing:
The controls are very simple. There’s gain for dialing in the amount of overdrive, a three-band EQ for bass, mids, and treble, and a volume control to tame the output. If you want to know how cool the Angry Charlie V3 sounds you can check out this video from That Pedal Show.
The original OCD is a classic overdrive pedal with a sound that's unmatched. The revamped OCD Version 2 is stocked with inimitable OCD tone, unique circuitry, and the option to use true or enhanced bypass switching.
This might be one of the best cranked Marshall-style overdrives on the market today! This dual footswitch pedal is jam-packed with features, such as a three-band EQ, a “bright” and “bass” switch, and a Tube Screamer style boost for when you want a little more distortion.
Many guitarists have made demos of this pedal, but if you want to hear how it sounds in a song you should check out this video made by Pete Thorn, who has toured with artists such as Chris Cornell, Melissa Etheridge, and many more.
This pedal is designed to give you the sound of an overdriven 60’s Fender Blackface amp. These days Fender amps are mostly known for their clean tones, but overdriven Fender amps have still made their mark on the music industry.
For example, the riff from Michael Jackson’s Beat It was played on a Fender Tweed amp at the request of Quincy Jones. Of course the Vemuram will not give you the exact same sound, but this does prove that no matter what kind of amp is overdriving, if it sounds great, it is great. The same applies to this little pedal – the idea may seem unconventional, but it certainly sounds fantastic.
Again, the Morning Glory’s controls are really simple. You’ve got volume, drive, and tone along with some toggle switches. One switch changes the gain, and the other controls the brightness of the pedal. Another cool feature of this one is you can plug in a footswitch to toggle the gain!
Check out this demo by Del Rei Rock to hear the tones the Morning Glory is capable of.
6. Bogner Ecstasy Blue
So far, most of these pedals have come from established pedal manufacturers, but we rarely see amp manufacturers themselves get involved. Enter the Bogner Ecstacy Blue.
Having played both the amp and the pedal I felt this one gets really close to the mojo and weight you get behind every note you play. Bogner have killed it with this pedal, but since this is an amplifier maker trying to recreate their own designs, that is no surprise.
The folks at REVV Amps are quite new to the guitar scene, but that doesn’t mean they haven’t had an impact. Ever since they started in 2014 these clever Canadians have left quite the mark on the music industry and they are very well known in the YouTube guitar scene.
David Friedman of Friedman Amplification has worked for the likes of Eddie van Halen, Steve Stevens, and Jerry Cantrell. Having become famous for amp mods, he got into designing his own amps, which took the guitar industry by storm. One of these amplifiers, the Dirty Shirley, has earned a great reputation with regard to touch dynamics and flexibility.
Most amp-in-a-box pedals are trying to recreate Marshall-style tones, but this one is different. The Galileo is trying to get close to what could quite possibly be the most complex tone in the guitar world! I am of course talking about the majestic tone of Queen’s Brian May.
A cranked VOX AC30 and a treble booster are what drives the sound of this famous guitarist, and that’s exactly what this three knobbed pedal is trying to do. By combining two of Catalinbread’s own pedal designs, the CB30 (an AC30 in a box which is no longer made), and the Naga Viper (treble booster) the Galileo is simulating the signal chain Brian would use.
The controls are very simple. Gain determines the amount of distortion, the tone knob shapes the color, and volume changes overall loudness.
In this video done by Pro Guitar Shop you can hear how this pedal gets really close Brian’s modern-day tone.
10. JHS Superbolt V2
When you say “Led Zeppelin’s guitar tone”, a guitar player will probably say “Marshall” in response, but not many people know Jimmy Page used Supro amps in the early days of Led Zeppelin. The JHS Superbolt recreates the mojo of those old cranked-up Supro amps.
It has a bright character to it without it sounding like there’s an ice pick stabbing your ears, making it cut through the mix in a pleasant way.
It might not sound as distorted as something like a Marshall in-a-box, but because of that it does provide you with a nice amount of punch, making it great for double-tracking to achieve a punchy wall of sound. This results in a tone that sounds really dirty, yet clearly defined.
As you can see, we’re spoiled for choice with amp-in-a-box pedals in terms of what amps we want to emulate and how we can tweak them. If you’re not sure which pedal is right for you, a good place to start is to look up your favorite guitarists and find out what amps they prefer.
You should also definitely check out audio demos for each pedal to help you make an informed decision. But we’re sure that any of the pedals here will be a solid investment that you won’t regret.